Zukoff, Mitchell (editor).

Robert Altman. The Oral Biography.

First Edition. New York, Alfred A. Knopf, 2009. 23 x 18 cm. xiii, 560 pages. Original hard cover inside original dust jacket. Near fine in near fine dust jacket. A bright and clean copy.

FitzGerald, Desmond, Knight of Glin (Foreword) / Mallett Fine Art.

An Age of Elegance. Irish Art of the 18th Century.

First Edition. New York, Mallett Fine Arts, 2007. 28 x 24 cm. 64 pages. Illustrated throughout. Original dark green cloth. Hard cover. Inside original dust jacket. Near fine in near fine dust jacket. Includes an invitation to Bruce Arnold and his wife to a dinner for the launch of the exhibition, menu and a letter.

Jack B. Yeats (artist).

A Little Book of Bookplates by Jack B. Yeats.

Limited Edition No. 49 of 350. Dublin, Cuala Press, 1979. 21 x 15 cm. 12 leaves of plates on cream paper, each designed by Yeats. Original stiff paper wrappers. Red string. Very good condition. Wrappers with some edge wear and foxing. See images. Internally bright and clean. Unopened.

Gaiman, Neil / Sancken, Renata.

American Gods: The Author’s Preferred Edition. Lettered Edition.

Limited Lettered Edition. Copy XX of 52. Three books in total. All signed by Neil Gaiman. One signed by Renata Sancken. Ossining, NY, Hill House, Publishers, 2003 & 2005. 533 pages [American Gods], 33 pages [A Guide ot the Gods], 20 pages [An Astonishingly Incomplete Bibliography], 661 pages [The Reader’s Copy]. Losely inserted envelop with ‘Door Replacement Instructions’. Hardcover, bound in a mauve japanese silk with slipcase, paper spine label and mounted illustration to the book cover. Matching slipcase with die cut window. Includes purple clothbound chapbook with printed paper title labels for the covers, and a bound-in ribbon placemarker. Both are housed in a custom box with a lacquered rosewood veneer, a door made of jet black marble with spiral doorknob. A sliding shelf holds the slipcased book and chapbook. Accompanied by ‘The Reader’s Copy’ of American Gods: Soft covers, also signed by Neil Gaiman on the title page. Near fine condition. Books are bright and clean and appear unread. Tiny chip (2 mm) at the rear top of the marbled door, otherwise pristine. A very nice copy of this most unusual publication. A real piece of Art.

Seago, Edward.

Peace in War. A book of Paintings and Essays.

Second Edition. London, Collins, 1944. 18.5cm x 25cm. 80 pages Original Hardcover with original dustjacket. Minor damage to one corner of the frontcover (dustjacket and board). Else in very good condition with only minor signs of wear. Rare with dustjacket.

Venturi, Robert.

Iconography and Electronics upon a Generic Architecture. A view from the Drafting Room.

First Edition. London, The MIT Press, 1996. 18.5cm x 24cm. 374 pages with 91 illustrations. Original Hardcover with original dustjacket in protective Mylar. Excellent condition.

Epstein, Diana.

Buttons.

First Edition. London, Studio Vista, 1968. 21.5cm x 15.5cm. 84 pages. Original Hardcover with original dustjacket. Very good condition with only minor signs of wear.

Pérez-Gómez, Alberto.

Polyphilo or The Dark Forest Revisited. An Erotic Epiphany of Architecture.

Cambridge, The MIT Press, 1992. Large Octavo. XXVII, 311 pages. Original Hardcover with original dustjacket in excellent (Fine) condition.

Baker, Denys Val.

Pottery Today.

First Edition. London New York Toronto, Oxford University Press, 1961. 14.5cm x 22cm. xii, 144 pages. Original Hardcover. Very good condition with only minor signs of wear.

Moore, N. Hudson.

Old Glass – European and American. With Two Hundred and Sixty-Five Ilustrations. [With a Chapter on Irish Glass / A Chapter on Waterford Glass / A Chapter on Dublin and Cork Glass].

London, Hodder & Stoughton, no year (c.1935). Octavo. XVI, 394 pages. Original, illustrated Hardcover [Grey cloth with gilt lettering on spine and embossed illustration on spine andfront board]. Original binding in very good condition with some strong signs of spotting and staining to the covers. Interior in very good condition. The binding still very firm.